bionicniall:

Miley Cyrus is getting fined for 2k for illegal use of the Mexican flag stay in your fucking lane bitch

17,900 notes

blondlindsey:

I kinda wanna softly rub someones back while they lay on top of me with their head laying peacefully on my chest.

4,164 notes

lets-become-flowers:

hippieseurope:

oh..may I join in…☮❤☮❤ 

come to see my sanctuary of love and peace 🌿

lets-become-flowers:

hippieseurope:

oh..may I join in…☮❤☮❤

come to see my sanctuary of love and peace 🌿

(Source: wearetheweaversofasharedreality)

668 notes

paolavallado:

ckck:

Seems like IKEA are really shaking things up this year. In addition to the previously announced TV set, they’re also going to release a digital camera made of cardboard called Knäppa (“Snap”). It’ll hold 40 photographs at a time and plugs directly into your USB port. While it’s not the prettiest camera the world has ever seen, I do love the idea of a screen-less digital camera that brings people back to the wait-and-see days of film.

This is great.

99,165 notes

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

283,001 notes